Kayla's Open Studio Oct 13 & 14

To all my Art Lovers and Friends:
Yes it's been a whole year since the last Open Studios here in San Francisco.

Next weekend The Sunset and surrounding neighborhoods will be having Open Studios. Come see my most recent fine art photography, which focuses on the spiritual in the material world. I also have some handmade books, and wall & window hangings that utilize my photography.

Kayla's Open Studio
Oct 13 & 14, 2007 at
2169 20th Ave., San Francisco, Ca, 94116

Part of the fun of open studios is seeing works in progress. I have been experiment with many forms of mixed media and going through and exploratory and playful period with working with encaustics, polymer clays, incorporating real objects of nature into these works. Feedback on these experiments is very valuable to me so come see the process and give your opinions.

Because i have been diagnosis with a second serious bone marrow cancer and will have to go through a bone marrow transplant soon, i feel a strong urge to share my work this last time before i undergo this procedure which will likely keep me busy for the next year. I feel that the work that I've done will be complete when it hangs in homes and spreads the joy! I will continue making art - it brings me so much satisfaction - but i will not have the energy to have open studios or continue to submit to galleries for quite some time.

So please come by. Prices are deeply discounted to facilitate spreading the deep connection with nature that i hope my work creates. 10% of sales will be donated to the Leukemia and Lymphoma society. http://www.leukemia-lymphoma.org/ who do so much to support research and public understanding of bone marrow diseases, while providing practical assistance to patients and family. I love this organization!

Go here if you want information on my disease (MDS):
http://www.leukemia-lymphoma.org/all_page?item_id=55442

My Heath Story and more information on MDS and Bone Marrow transplants:
http://daydreamer.pnn.com/2713-health-and-wellness
See some of My Art: http://daydreamer.pnn.com/2103-the-art-page (explains spiritual connections and http://daydreamingarts.blogspot.com/ discusses process

October 13 - 14th 2169 20th Ave., San Francisco, Ca. 94116
use google maps to get directions: http://maps.google.com/maps?f=q&time=&date=&ttype=&q=2169+20th+Ave,+San+Francisco,+San+Francisco,+California+94116,+United+States&sll=37.0625,-95.677068&sspn=71.064097,111.972656&ie=UTF8&lr=lang_en&cd=1&geocode=0,37.747299,-122.477098&ll=37.747355,-122.476251&spn=0.008908,0.013669&z=16&om=1

Noe Valley Show at Gallery Sanchez Opens

The opening at the Gallery Sanchez in the Noe valley Ministry yesterday was a very nice event. I really enjoy working with this group of artists from the Sunset, we are an interesting mix of ages and life experience. The space is really lovely, hi ceilings and loft feeling with out being overly religious. Although The Noe Valley Ministry is a church with crosses etc here and there, it's also an active community center where various groups meet including a Jewish Group and the have regular musical performances. I also really enjoyed having time to talk in depth with the other artists about our plans and dreams.
This piece, One Leaf, is part of the show at Gallery Sanchez. It was taken on a drizzly / foggy day at Fort Funston. It's special to me because of the subtleties in it. The smooth shading indicating the shape of the leaf in the softened background and the intense yellows and oranges on the leaf edge as the plant reacted to the pressures of the weather on the bluff. The part that clinches the deal for me is the curve of the edge and how seductive it's path through the image is.

hanging the show in Noe Valley

today we are hanging the show in Noe Valley Ministry, Gallery Sanchez. hanging shows can be a long, complicated process and it'd be great if i could do all this faster. i will be helping to hang the Altered barbie show and i can't be this methodical, i will have to think on my feet as artist bring in last minute changes.
my current belabored process started over a month ago when i got the dimensions for my share of the space in the gallery. At that point i was submitting my work to a couple of shows and planning on submitting to a few more so i made a master plan of what was going to be where. i had to settle all this in my mind before sending out my image to be included in the publicity for Noe Valley.
so i thought about the themes for the other shows and then thought about coherence for this show. i decided that certain pieces were definitely going to other shows and could not be included in this mix. decided the Yosemite image was the anchor for the Noe Valley show. I thought it made a good publicity photo because it's hi contrast, recognizable even shrunk down, and people had responded so well to it at the Art on the Avenues show.
next i did the math to figure how many framed images could fit in my Noe Valley space allotment. I had not yet unpacked everything from the Art on the Avenues show, so i started pulling out pieces and sorting them. propping them up around the house (my studio was too small for all this visual thinking). finally the idea of green/blue tan and blue came together and i started selecting sand, ocean, and greenish blue plant images, mixing vertical and horizontal work.
next i began to draw layouts of the famed pieces on my section of wall. my first layout was just six pictures, but it looked sparse when i used my graph paper to put things in scale. so i tried other combinations. i stopped when i had a fairly settled idea.
yesterday i took up Debra's suggestion and measured out the 5x7 space on my floor and laid out the actual framed images on the floor. good thing too because some of my frames are a tiny but bigger than others and that made a big difference in my little plan! i tried moving them about but eventually found it too physically demanding to avoid stepping on them and bending over so much (i've been a bit under the weather). so i went back to drawing on my graph paper. I should have used a pencil because i changes my mind so many times and made a bit of a mess with my pen. this morning before i pack them up to take over to the gallery i will clean them and lay them out on last time.
so i could improve by:
being organized through keeping a folder or searchable database of images of what's in frames now so i can sort thru the images on the computer to help me choose rather than moving them about the house;
deciding faster through confidence in my decisions;
being more accurate, through knowing the actual dement-ions of my work and using a calculator;
being sensible by using a pencil and good eraser when drawing plans;
learning to use the computer for layouts (so that it's faster than drawing on paper which it's not now cuz i fumble through it) because designing on the computer will be more accurate and give me more visual feedback than my sketches on graph paper and be physically less demanding than laying the framed art out on the floor!
the reason for exploring process is to see where you can make changes and help others think about there own process.

"Patterns, Portions, and Pieces"

Patterns potions and pieces opens tonight at the Frank Bette Center for the arts in Alameda. I'm not even sure if i'm in it because ii was bad and forgot to call in yesterday. I hope folks can come to the First Friday Opening Gala July 6, 7-9 PM tonight at 1601 Paru Street Alameda, CA.

I have to explain the process of submittal and acceptance at FBCA so you can understand the previous statement. FBCA, like alot of community art centers, has many open calls. Every month they have a Theme which artists use to guide them in selecting what to bring in for the show. There is a drop ff day when we all bring in our work. there is no jury for these open shows (unlike Alameda on Camera), rather the pieces are selected as how well they all fit together to make a show. the process of the gallery is to go through all the pieces and begin to plan the hanging and as they do that the way the whole show will look gels in their minds. Then they hang the show. The artists call toward the end of the week and determine if they have something to pick up. Because we often drop off multiple pieces, we usually have to pick something up even if we are in the show. this process tends to keep these shows local, but it helps me to make it to the opening because i make one trip to pick up art and go to the opening.

Altered Barbie getting ready

Photo depicts "Barbie's Hood Ornament" by Leigh Radtke.
Well the Altered Barbie show is coming closer. I'm running like mad to get organized. the press release went out, the post card is at the printers I actually had some input, but mostly i fixed the issues with the logos for the sponsors in the press release.
this is just the sort of thing i'm good at. problem solving on the fly.
the first acceptances went out. there are actually some artists who don't have email and that makes it hard to contact them, snail mail is well, ... slow! so i won't publish all the names yet.
I actually made a spreadsheet - yeah i know!! this is tough for me of course with the dyslexia and all but i have to get some skills in this area. i need them for Frank Bette Center for the Arts too.

I went out and purchased the domain name for altered barbie and set it up with a real life server. there were lots of little bugs at first, several caused by my inexperience! but i worked it through with tech support.

So now i really have to update the Altered Barbie site and blog and our pnn.com interactive news site cuz so many details have firmed up. I also have to start adding artists pages and gather artists info for the book and website. Oh and the sponsers! (of which daydreaming arts is one!)

I love working on this show but i've been doing it pretty much non stop for two weeks now with just a short break to help with intake at Frank Bette last Sunday. Boy was that demanding!!! Also I did my shots but have yet to print them cuz my printer still hasn't arrived (another crazy story) and i've been working hard on helping Sarah with her dioramas. getting Barbie to stand up is really hard!!! Oh and Sarah and i were at the mall yesterday and we started planning what we will wear to the Barbie Ball, it's getting so exciting!!!!!
so i'm heading over to the blog right now.

Sunset Artists Noe Valley Show July 10th to August 18th

I'm excited to announce that I will be part of a group show of local San Francisco artists in the Gallery Sanchez of the Noe Valley Ministry 1021 Sanchez Street, near 24th St. San francisco Ca. Our artists reception will be Saturday July 14th from 2 to 4 pm. The other artists whose work will be hanging in the show include: Roger Thoms, Ann Eby, Kelsie Tinker, (who will also be in the Altered Barbie Show the end of this month) David Grote, Susan Grote, Voula Sideris, Kate Salenfriend, Kyla Johnk, Steve Dehlinger and Kate Dopheide two more Altered Barbie artists!!! small world huh?

The artists in this show are all part of the Sunset Artists Society which puts on the annual Art in the Avenues show at the County Fair Building in Golden Gate Park.

I'm looking forward to this show because I will have a large space to fill. Instead of just one or two pieces in a group show of many artists, we will each hang several pieces in a show with a small group of artists. I will have a section that is 7 feet wide, so the show will be more focused than the Art on the Avenues show where i hung over 30 pieces from the last year.
I'm also looking forward to the process of us hanging the show on Monday. I've planned the pieces I want to bring and I know I'll get lots of help from this great group of artists. Planning and hanging shows is an important thing to learn. Each time I feel more in control. Debra at the Frank Bette Center for the Arts in Alameda taught me to do my layout on the floor in the studio first!

Please come to the reception Sat July 14th 2-4 in the afternoon! I want to have a good turn out of friends and admirers to help fill the huge gallery space.

Capturing Light

i keep promising myself that i will post more often and get back to the real use of this blog which is to talk about my artistic process and teaching.
but first this commercial break. I have several shows coming up. in Petaluma at the Aurora Colors Gallery i will have my piece "Hooks" (from the Alameda on Camera collection) in their show: Capturing Light - Photography. it runs July 21st to August 18, 2007. the opening is Saturday July 21 6:30 -8:30 PM at Aurora Colors Gallery, 145 Kentucky Street, Petaluma, CA 94952. PLEASE COME! To contact the Gallery, call Vangie Pullins at (707)762-0131 or email events@auroracolors.com

"Hooks" is not the piece's real name, but the name is a joke and i didn't think it would be appreciated outside of the context of the Alameda on Camera show. the real name is "disappearing hooks" because of the crazy story that goes with the taking of the picture and it's aftermath. this is a story of process so i will share it here.

the Alameda on Camera event, you may remember, was a challenge to photographers to reflect their vision of their little corner of the City of Alameda. 40 photographers reached into a hat and grabbed 1/40th of the map of Alameda. they then spread out across the city to grab their visual impressions of that little corner of the map. we had but 48 hours in one weekend to capture the essence of our piece of Alameda.

i was lucky enough to draw a map piece that represented a part of Alameda that was mostly off limits! the Coast Guard, the Navy and a private community all posted signs making it clear i could be arrested for being there. So i was lucky to be forced to mostly focus on the few public areas available.

one public place was a short path by the canal where huge container ships come and go. at the end of the path was a dry dock where much smaller ships and boats we being worked on. between me and the work was a high chain link fence. so i began shooting all the junk that was hanging on the fence - you know i love junk. there was all sorts of stuff, paint roller minus the covering, parts and piece of things - - and then there were these fantastic hooks. i was drawn to them like love at first sight. but the footing was horrible and it took me forever to get into a secure position. the light was low, it was raining and i had a long lens on so i really needed to steady myself against a fairly long exposure.


finally ready to shoot, i'm interrupted by "ma'am can we help you?" from a couple of guys in hard hats and dusty work clothes. i back up from the work and turn on the charm, explaining all about the Alameda on Camera event and the Frank Bette Center for the Arts. i show them my ID around my neck and take out my little piece of map showing where we are and finally seem to make them comfortable. they tell me the hooks are illegal because they are broken and then move on. i return to the hooks, working to get myself positioned securely. the ground is uneven and muddy (it's still winter) and the angle of me, my long lens, the fence and the hooks is difficult.

right as i settle in, it happens again. i went through the whole explanation again. again they tell me how the hooks are illegal and finally moved on. i reposition myself, really getting to it as fast as i can. by now my back is killing me and my legs are quite put out. but when it happens a third time i manage to keep my humor and charm and go through the explanation all over again. this last pair (why are they always in twos?) took particular pains to explain why the hooks were illegal, pointing to the failures of safety features and insisting that they were not used. that's why they are on the fence you see. cuz they're broken and no one uses them. so i explain that i really like the colors and the textures of the peeling paint, and that i like that they are old and broken. they look at me like i'm nuts! finally, when they move off i move really fast (for me) and zero in on the hooks. then i move on to some mushroom growing nearby.

the next day i came back to the same spot before dawn and took some great shots of these folks working in the rain long before you could see well. when it was finally light enough, i left the path and went back to take more of the hooks, hopeful that i will be better able to take my time and make sure i have the shot. but look! they're gone! all the other junk is still hanging on the fence but the illegal hooks have disappeared! despite all my charm they did not believe for a minute that i was an artist, i had to be from the Government catching them with the illegal, disappearing hooks.

"Peaches and Cream" at FBCA

So the latest show at Frank Bette center for the arts is Peaches and Cream." I submitted a classic of mine (read not made in the year since i moved tothe sunset district). I call it bite because it integrates the natural "imperfection" which is nature getting along fine, bugs gotta eat!

Hall of Flowers show a great success!

I really had a wonderful time at the Hall of Flowers "Art on the Avenues" show. I really hope it's not the last one - it went so well! I sold some small things and one of my silk wall hangings so that i covered the money i spent on new frames for the show! not exactly a profit but there was so much more than money that i profited from. It's an incredible learning experience to Put together 32 new pieces for the past year and see how your work is developing. and then to spend two whole days looking at my work and the public's reaction to it. WOW. I can see where i will be heading next - but alas there are no words for what i saw!

Hall of Flowers Show this weekend!

June 2nd and 3rd from 10 am to 5 pm, at the "Hall of Flowers" in Golden gate Park which is on the corner of Lincoln and 9th Avenue. It's the Annual Art on the Avenues Show by the Sunset Artists Society, I'm so excited I have over 30 new pieces - all made in the last years since i've moved to the sunset. It seems like I've been so productive since i moved here and i wasn't finding time to frame everything so this forced me to! All week I've been matting and framing and this morning i finally got them all in boxes to take over and unload later today. I'm so excited! Everyone should drop by and see my new work!! Oh and there are 18 other Arts whos art iss pretty good if you ask me! it's a juried show after all.

Altered Barbie on the web

in addition to the blog for altered barbie http://alteredbarbie.blogspot.com/ I've made a whole new website for the show: http://alteredbarbie.home.comcast.net/ and a really cool site at pnn.com which is very multimedia and interactive alteredbarbie.pnn.com/ I've been immersed in barbie and pink. Now those who know me may be wondering what's going on here! well it's a fun change for me and i'm learning tons working from the inside out. so check it out. there's some fin videos at the blog and pnn already. go and make comments and let's all do barbie up right!! I especially love the Jack Spicer video "i'm a barbie girl in a barbie world, plastic plastic, its fantastic." "you can brush my hair, undress me everywhere!, imagination that is your creation!" "come on barbie let's go party!!!" the song is by Aqua. go barbie!! the other video just came up with a Barbie search at that video station and it's this very funny bit with a couple of young adults playing with a whole load of barbies. at the blog i have a couple of other videos from uTube. One has a whole country western thing going on. and it's really funny although maybe for different reasons for diff people - but the new "cross dresser ken" ready for the toy shelf is worth wading through the 70''s waitress.

upcoming Sunset Artist Society show

Once again i have Juried into the Sunset Artist Society annual Art in the Avenues show at the Hall of Flowers in Golden Gate Park! hurray. I will have all new work this year!! and new pricing structures. I'm celebrating my first full year living and working in the Sunset with work created since the move. Most work will l be hung publicly for the first time! So everyone has to come and see my new and exciting work. Date June 2 & 3rd 10am to 5pm; Place: The Hall Of Flowers at 9th and Lincoln, San Francisco, this show is so exciting and this may be the final year as the show's organizers burn out!!!!! will others pick up the torch and keep this annual event hopping? will i be here in the Sunset another year???? should i get involved organizing????

other projects

in addition to getting my art shown i've been working on several projects. one is the %th annual altered barbie show at Market Street and Red Ink Galleries opening July 29th 2007. I'm working as an intern for ChatterBox Gallery which is Julie Andersen's baby. I get to see the inside view or producing and curating a show. So far i've worked on the call to artists, cleaning up and stylizing the pdf file and making a webpage (the beta is linked above). I also went to a meeting with SCRAP, a art and education recycling/ reuse kind of place. It looks like the will be helping out with workshops and providing materials t artists.
I'm also very involved at Frank Bette Center for the Arts in Alameda. I'm working as their membership coordinator and put in hours gallery sitting. once again i'm seeing the art world from the inside of administration etc. I'm updating the data base, wring letters to members and working on additional forms of communication. so much to learn and it feels good, though hectic, to stretch myself.

time flies when you are busy!

this is an image i love from that raining sunday morning in Alameda.

I have been so busy i haven't even had time to post to say how busy i am!
my work is hanging again in the Aurora Gallery in Petaluma, this time in a show called May Day All Things Bright and Beautiful, again in Alameda at the Frank Bette Center for the Arts in their Earth, Sky and Between exhibition, and i continue at the San Francisco Hall of Juvenile Justice in the school lobby. Plus i have two found art pieces in Brooks College in Sunnyvale. my windows and my cabinets with the silk inserts. frank Beete and brooks College opened this Friday and Aurora Colors the Sat. night before that.
wow!

alameda on camera opens tonight

the Gala Opening for Alameda on Camera is tonight at the Frank Bette Center for the Arts for 7 -9 PM. i'm so excited to see the exihibit. whe i dropped off sxome of m work I was so impressed withthe quality of everyone's work. thisis going to be an incredable show! the link above will take you to they website where there are good directions. it's at the corner of Lincoln and Paru which is a major intereection. http://www.frankbettecenter.org/

spring at last or Seeing Grean

i've been so incredibly busy lately and the weather has been so fine, i haven't sat still long enough to write a blog in quite some time! this flower petal isn't even a spring flower! it's from the dead of winter -- which around here is not so dead!

the TV of Tomorrow show last week was FANTASTIC! what fun we had! mostly the techies kept to themselves and the artists kept together, even though we'd never met before. the show was a conference for folks who work in the development end of interactive tv. the idea was to explore the possibilities. in keeping with that theme our art all had something to say about tv and many of us imagined where it might go.

one piece was a robot that was peopled remotely. there was a tv screen with the person's face broadcast live and you could talk to her and she'd talk back. the robot could move around the room because it was wireless. this was created collaboratively by some art students. it became the intersection for the artists and the techies. being so overtly techie as a piece it was easier for the techies to approach.

the was also a student journalist there so i had my first newspaper interview. i wonder if her published anything!

on Sunday i drove up to Petaluma to pick up my art from the Aurora Colors Gallery and had a nice chat with the owner. in the car i switched out frames cuz i hated that Plexiglas and took that piece and two others down to Ben Lomond for the "Seeing Green" show at the Santa Cruz Mountains art center http://www.mountainartcenter.org/

so i will have three rather green pieces there- the show opens friday night with a party and goes for a month. i still have work up at the Frank Bette Center in Alameda. for now it's in their "Green" show and that will be follow by our Alameda on Camera work. all 40 photographer's and our vision of the city!

i'm printing out - for the fourth time - the piece for that show as i write this. it has a great story behind it which i will share when i post the image here. i'm reprinting it to get the sharpening just right. it's very textured and it looked to grainy, then too blurry, and then grainy again.

i ended up sharpening different parts of the image differently. over all used "High Pass", for which you have to make a copy of your background layer because it is a destructive filter and when you are done you blend it with the original layer. I have some of my own tricks that i've added to this hidden gem. i like making the hi pass layer black and white to avoid adding a color cast and playing with the blending modes and opacity.

i made a separate layer for sections of the picture that had unique issues. one part for example, was so deeply orange / red that it was loosing detail when it printed. rather than desaturate (which i'll try if this doesn't work) i put this part on it's own layer and sharpened it in such a way as to emphasize the hidden yellows. this created a more textured look and lessened the orange / red blow out.

it's coming out of the printer now. well i won't decide til tomorrow whether i need to keep working on this image. often the print changed a bit as it dries over night.

matting and framing

matting and framing has been the order of the day! I know it's not exciting but it has to be done! I had to ready 5 pieces foe the TV of Tomorrow show at Yerba Buena Center for the Arts. the show opens tomorrow and i dropped off my work today. I finished all my matting and framing before the weekend so i could relax! i continue to improve but i have issues cutting the mats just so, and more now the problem has been a silly math error in calculating the size of the hole! I know how to determine the size of the margin - i subtract the size of the image from the size of the matte and divide by 2. so if my image is 10 by 18 and my mat is 16 by 20 then i subtract 10 form 16, to get the difference of 6, which is divided in 2 because there are 2 margins on each side. and then subtract 18 from 20 and get 2 divide by 2 is 1. well that would be a bad looking matte if it were 3 inches on the sides and only one top and bottom but you get the idea.
I have started using light mattes. i've always used black, but you can't actually get museum quality mattes that are black because the coloring ruins it's archival qualities. It's still acid free and all, it's just won't last quite as long. so people really expect off white. I'm not sure at all i like the way it looks! but i did it for the show. I got wooden frames so i could put the real eye screw things in it and i even used archival matt on the back and taped up the back to the frame! this reduces the effect of pollution. were i to get better at the taping part it would really protect it well, but I'm still leaving tiny wholes so it's not fully sealed. I guess this is boring but artist have to do many things that are maybe not so exciting! however, tomorrow night i go to the artist's reception for the TV of Tomorrow show and i expect that will be very exciting!

yosemite!

i took a day trip to yosemite with three other photographers. it was incredible, getting up at 3:15 am, pouring coffee in my gut and driving down to the park and ride to pick everyone else up and then getting off the peninsula before rush hour, through the coastal range across the valley and into the foothills in time for breakfast! we ate at happy burger on rt. 140. It was still early when we got to Yosemite and it was cloudy on and off (and snowing on and off too!) so we could take pictures all day. we left around 4PM and i was home by 7 at the latest. it was 500 miles round trip.

this image is of yosemite falls taken with my lensbaby without the macro and with the biggest aperture.

anyway, hit the link above and you can see so unedited shots that a threw up on the web.

thanks to Thomas, Lawernce and Jen for being part of the adventure!

Frank Bette Center

I have discovered this great place in Alameda called the Frank Bette Center for the Arts. I love this place! I took part in the Alameda on Camera event last weekend - the show will be in April. And in March starting tomorrow night, I will have a piece in the show called "Green."
the hype:
"The color green and... "green behind the ears," money, lettuce, salads, greener pastures, wealth, grass, parrots, jealousy, new, spring green, green eyes, "eat your veggies," summer green, green eggs and ham, clover, luck, Irish, St. Patrick, Greenpeace, Green Party, bowling greens, Green Bay Packers, field of green, green apples, fried green tomatoes, green hills, green belt, green algae, acid green."

I'll upload an image of the on accepted into the show maybe Sunday! I just saw how late it is so i have to go, but first wish me happy birthday!

i will be in Abstractions show in Aurora Colors Gallery

I'm so excited! i'm going to be in yet another Juried Show and this one is in a Gallery!
kayla garelick will be in an upcoming exhibit at Aurora Colors Gallery
"Abstractions, Color & Texture"
Feb. 24, 2007- March 24, 2007
Opening Reception Saturday Feb. 24, 2007 6:30pm-8:30pm
Free with Refreshments!!!

Aurora Colors Gallery
145-A Kentucky Street, Petaluma, CA94952 
707-762-0131
http://www.auroracolors.com/AC/

Local San Francisco artist from the Sunset District kayla garelick, of daydreaming arts, will be participating in the "Abstractions, Color & Texture" art exhibition at Aurora Colors Gallery. kayla's piece "one leaf" is an example of her ability to use the camera lens to create abstract re-interpretations of the world around us. kayla's work, inspired by her fight with leukemia, creates a sense of awe for the details she sees. Her subjects are the from nearby Ocean Beach and Fort Funston, where Kayla transforms the ordinary to the extraordinary. Don't miss this show!

water water everywhere

the winter beach is so fascinating, the delicate colors reflected in the surface of the water contrast with the reality dangerous high surf from winter storms. my photo shows the light playing on the thin film of water over the sand as the wave washes out. the link is to the annual maverick surf competition where they sometimes confront 100 foot faces on the waves!
the detailed story of the most harrowing year yet is told by SF Chronicle: http://www.sfgate.com/cgi-bin/article.cgi?file=/c/a/2007/01/31/MNGQCNS3NM1.DTL
in making this final image i had to return to the beach repeatedly to study the colors i saw. the camera, set on automatic white balance, had interpreted the colors differently than i. and when i first attempted to print the blues shifted darker and even more saturated than i intended. by the time the print came out my memory had faded. so i returned several days in a row at the same time of day so that i would not be influenced by the camera or the printer I i finally got the colors i wanted.

Using Photoshop

This is another of the images i created for the TV of Tomorrow Show. I thought i'd write a little about the process. it was very heavy Photoshopping!
Each image has three main components the model (guess who!) who crawled through a window multiple times, the monitor, and one of my art images. I first had to made fantastic selections to remove the model from the background. I don't use selections in order to place the image in a new background often. It's much more sensitive work than selecting part of an image to make a mask where the edges aren't critical. So i spent hours on it! In the end the best tool was using a paint brush in quick mask. I used my pen tool extensively and it's so much easier to draw well with that. I also had some frustration with selecting the real black screen out of the monitor. I don't have a steady enough hand for those long straight lines so i'd click the paint tool at one end of the screen, and then shift click on the other side to create a straight line between the points. well alot of the screen wasn't really so straight, it has a slow graceful curve to it!

When i brought all the elements into one image i used multiple layers of the art and the model in different blending modes. I created masks for each layer using a combination of gradients for a slow fade in or out and the pen tool for detailed work. In one of these images i used six different layers just for the model! some would be "color burn" or "overlay" but just letting the blend happen on her foot and hand, letting it slip over her shoulder a bit.
finally the forth element is the background. All of them are other art photos of mine. in this one i used a very new early morning blue waves shot to contrast with the deep orange poppy.
So it was fun, great exercise for the OCD side of me!!

I will be in the TV of Tomorrow show!

I'm very excited to announce that my images will be part of the TV of Tommorrow show (link above) being presented by Tracy Swedlow's InteractiveTV Today [itvt] http://www.itvt.com/
I created a series of images for the show about the future of TV. These images tell a story of the future TV which will provide immersive experiences including touch and smell: the breeze on my face, the perfume of the chaparral! Remembering a family photo of us kids staring open-mouthed at the boob tube, capturing the passive TV experience of the 60s, I created the family photo of the future, capturing the immersive experience drawing us into a complete environment!
The TV of Tomorrow Show, March 13th - 14th (Tuesday-Wednesday) in San Francisco, California at the famous Yerba Buena Center for the Arts http://www.ybca.org/ . The event will present the most thorough examination yet of the emerging interactive multiplatform TV space, will also include [itvt]'s inaugural Awards for Corporate Achievement in Interactive and Multiplatform Television. The event will focus exclusively on the delivery of interactive TV on multiple platforms (e.g. cable, satellite, telco TV, wireless, Internet TV, DVRs, handheld devices, iPods, game consoles, etc.). My work will be projected as part of a curated exhibit of contemporary artworks that exemplify the theme, "TV of Tomorrow."
OMG!!! i just checked and the early registration fee is $744.12!!!! Therefore i expect that all of my fans, friends and family to attend. order tickects early!

interactive TV

i recently heard about this show about the tv of the future put on by an organization that promotes interactive tv. my daughter had give an image of mine as a gift to the parents of her girl friend where she stayed over christmas eve. the friends mom is the organizer of the event and the have a juried commutation that results in your art being available for sale at the show. so i submitted a few pieces. now i know how come i don't think of my self as a conceptual artisit! the piece had to be about the future of tv, and had to have a tv or computer monitor in it. so this is one of the pieces. and this is what i said about it:
The future of Interactive TV is more than recording a show and watching it later or playing along with a game show. Even with PS3's technical advances, and even with Nintendo's Wii new motion-sensitive controller, I dream of more! I daydream of immersive experiences including touch and smell: the breeze on my face, the perfume of the chaparral! Remembering a family photo of us kids staring open-mouthed at the boob tube, capturing the passive TV experience of the 60s, I created the family photo of the future, capturing the immersive experience drawing us into a complete environment!