i keep promising myself that i will post more often and get back to the real use of this blog which is to talk about my artistic process and teaching.
but first this commercial break. I have several shows coming up. in Petaluma at the Aurora Colors Gallery i will have my piece "Hooks" (from the Alameda on Camera collection) in their show: Capturing Light - Photography. it runs July 21st to August 18, 2007. the opening is Saturday July 21 6:30 -8:30 PM at Aurora Colors Gallery, 145 Kentucky Street, Petaluma, CA 94952. PLEASE COME! To contact the Gallery, call Vangie Pullins at (707)762-0131 or email events@auroracolors.com
"Hooks" is not the piece's real name, but the name is a joke and i didn't think it would be appreciated outside of the context of the Alameda on Camera show. the real name is "disappearing hooks" because of the crazy story that goes with the taking of the picture and it's aftermath. this is a story of process so i will share it here.
the Alameda on Camera event, you may remember, was a challenge to photographers to reflect their vision of their little corner of the City of Alameda. 40 photographers reached into a hat and grabbed 1/40th of the map of Alameda. they then spread out across the city to grab their visual impressions of that little corner of the map. we had but 48 hours in one weekend to capture the essence of our piece of Alameda.
i was lucky enough to draw a map piece that represented a part of Alameda that was mostly off limits! the Coast Guard, the Navy and a private community all posted signs making it clear i could be arrested for being there. So i was lucky to be forced to mostly focus on the few public areas available.
one public place was a short path by the canal where huge container ships come and go. at the end of the path was a dry dock where much smaller ships and boats we being worked on. between me and the work was a high chain link fence. so i began shooting all the junk that was hanging on the fence - you know i love junk. there was all sorts of stuff, paint roller minus the covering, parts and piece of things - - and then there were these fantastic hooks. i was drawn to them like love at first sight. but the footing was horrible and it took me forever to get into a secure position. the light was low, it was raining and i had a long lens on so i really needed to steady myself against a fairly long exposure.
finally ready to shoot, i'm interrupted by "ma'am can we help you?" from a couple of guys in hard hats and dusty work clothes. i back up from the work and turn on the charm, explaining all about the Alameda on Camera event and the Frank Bette Center for the Arts. i show them my ID around my neck and take out my little piece of map showing where we are and finally seem to make them comfortable. they tell me the hooks are illegal because they are broken and then move on. i return to the hooks, working to get myself positioned securely. the ground is uneven and muddy (it's still winter) and the angle of me, my long lens, the fence and the hooks is difficult.
right as i settle in, it happens again. i went through the whole explanation again. again they tell me how the hooks are illegal and finally moved on. i reposition myself, really getting to it as fast as i can. by now my back is killing me and my legs are quite put out. but when it happens a third time i manage to keep my humor and charm and go through the explanation all over again. this last pair (why are they always in twos?) took particular pains to explain why the hooks were illegal, pointing to the failures of safety features and insisting that they were not used. that's why they are on the fence you see. cuz they're broken and no one uses them. so i explain that i really like the colors and the textures of the peeling paint, and that i like that they are old and broken. they look at me like i'm nuts! finally, when they move off i move really fast (for me) and zero in on the hooks. then i move on to some mushroom growing nearby.
the next day i came back to the same spot before dawn and took some great shots of these folks working in the rain long before you could see well. when it was finally light enough, i left the path and went back to take more of the hooks, hopeful that i will be better able to take my time and make sure i have the shot. but look! they're gone! all the other junk is still hanging on the fence but the illegal hooks have disappeared! despite all my charm they did not believe for a minute that i was an artist, i had to be from the Government catching them with the illegal, disappearing hooks.
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